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Don't dress for dinner - Day t

Don't dress for dinner - Day time

Don't dress for dinner - Night

Don't dress for dinner - Night time

Little Shop Of Horrors

Little Shop Of Horrors

Little Shop Of Horrors

Little Shop Of Horrors

Little Leigh Lighting Design

Well so far this year it has been an interesting one. We have a few new projects in the pipeline for the Autumn. We have a few large projects in the pipeline, which if they happen will be fantastic, more news if these to be released once confirmation has been given. We have been providing services to clients old and new, mainly through word of mouth, which is fantastic.

We have added some new items to our stock of equipment, with more to follow shortly. Again, news of these will appear in our news updates once we have confirmed them.

Mean while, please feel free to look around the site, and drop us an email with any questions or enquiries that you may have.

This site is here to enable clients old and new to have a look at some of my production photos to see what sort of work I do.

I have been working in the industry from the age of 13 and have many years experience in lighting and sound. Although these days I focus mainly on the lighting side of the industry.

I have experience in Theatre, Television, Conference and Corporate events. Having operated and designed for lots of different clients. Many of whom I have been lucky enough to work with time and time again.

Please take a look at the gallery and feel free to drop me a message if you would like to discuss any lighting requirements that you have for forthcoming productions.

Little Leigh News

Testimonials

  • BodyWork Company Dance

    Leigh has been working with C.P.A. & Bodywork Company Dance for the past 9 years. We have always found him entirely professional in his attitude to fellow crew members, Choreographers and Directors. He can always overcome unseen difficulties in various venues. He is cheerful and polite even with ‘The Divas’ in our industry!

    Where Leigh’s real strengths lie is in his artistry, he is without doubt, one of the most imaginative lighting designers I have ever worked with. He is diligent in his preparation, often creating mock-up sets, before we even go into the theatre. I would not hesitate to recommend Leigh.

     Theresa Kerr – Founder & Principal, C.P.A. & Bodywork Dance Company Cambridge

  • Carl Rosa Opera

    Having you in our team  meant that I did not even have to think about the LX and all of the technical info needed to bring and deliver a show, your contribution is that I know and trust you in all things that what ever were and was presented you would find a way, or you would bring things to me and we would together find a solution, and we did and I thank you most genuinely.

     

    Peter Mulloy - Founding Artistic Director 1998, The Carl Rosa Opera Company

     

  • Madd Accademy

    I have worked with Leigh Mulpeter on various professional shows over the last ten years. An absolute joy to work  with. Very good and efficient at his job - creating an excellent end product every time. I would not think twice in recommending his services to anyone.

    Emma Clayton

    Artistic Director Midlands Academy of Dance and Drama.

  • Online review

    Lighting by Leigh Mulpeter is dramatically striking and Adam 'Bo' Boland's direction excels in the use of different levels and entrances in the tiny studio space. The audience loved this show.

    Sheila Cornelius – www.remotegoat.co.uk

  • Stella Mann College

    "Leigh is a pleasure to work with - he is creative, efficient, obliging and an all round great guy. He can interpret ideas to make them the best they can be and always enhances whatever is on stage with great skill. He is always good humoured and fun to work with, and he works exceptionally hard to do the best possible job. I would recommend him to anyone."

    Janet Devenish – Deputy Principle, Stella Mann College

  • Taken from ‘The Stage’ Newspaper

    "This version of Snow White may not be the most exciting one around, but has very dramatic moments underlined by Leigh Mulpeter’s lighting design. Everyone works extremely hard with the material and Basildon loved it."

    Mary Redman, The Stage, December 2007